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Ladyhawke: An Introduction

Recently, I became aware of a new single from Ladyhawke. This led me to take a brief romp through her discography, reminding myself in the process why I love her!


Having been a part of two professional projects previously (Two Lane Blacktop (2001-2003) and Teenager (2003-2006)) Ladyhawke (AKA Pip Brown) is actually a Kiwi multi-instrumentalist who reinvented herself as Ladyhawke in 2009, taking her stage name from Michelle Pfeiffer’s character in the 1985 Richard Donner film of the same name. Her amazing self-titled album, a beautiful homage to that electronic stadium rocking sound of the 80s created small ripples at the outskirts of the music scene, but those ripples eventually became waves as the album eventually hit the top of the charts a year after its initial release. The album yielded FIVE singles, and quietly snuck it’s way to the top of several charts around the world.

The singles featured on the album were “Back of the Van”, “Paris is Burning”, “Dusk Till Dawn”, “Magic” and (most famously) “My Delirium”.

With five singles taken from the album, you might wonder if the rest of the album was just filler, but songs like “Better Than Sunday”, “Crazy World”, and “Another Runaway” could easily have been the follow up singles to “My Delirium”! Even bonus tracks, “Oh My” and “Danny and Jenny”, included on various editions, could possibly have held their own on the charts. “Danny and Jenny” in particular channels Kim Wilde, and sounds absolutely 80s dance-floor ready… or at least ready for the soundtrack to “Stranger Things”!

The rest of the album is just as engaging, if slightly more moderate tempo. Tracks like “Love Don’t Live Here”, “Morning Dreams”, “Professional Suicide”and even “Manipulating Woman” show Ladyhawke wearing her love of 80s new wave on her sleeve, albeit in a more gentle way. The album is infinitely listenable and has spent many nights on repeat at my house.

It’s a powerful debut album, and earned her a nomination for the NME Award for Best Solo Artist, as well as wining the breakthrough Artist in both album and single categories at the ARIA (Australian Recording Industry Association) Music Awards in 2009.

This much I am certain of: my first introduction to Ladyhawke was via the amazing track “My Delirium”, but please don’t ask me how or where I heard it. It has become such a part of the soundtrack of my life that I honestly don’t remember when I was first introduced to it. I just know that once I was, I was hooked. The music video completely blew me away as well. It features the artwork of Sarah Larnach, who also created the artwork for Ladyhawke‘s album and singles. The music video features long animated segments which feature Larnach’s soft, vaguely watercolour, style of realistic painting. You can check it out for yourself at the bottom of the page.

Ladyhawke‘s debut album still blows me away and I really can’t recommend it enough. Every time I go back to it I am constantly amazed at how good it is. Despite being at bit long at 12 tracks (or up to 17 depending on which edition you get), the vast majority of the songs are stellar. Forget the nostalgia factor (which certainly played a role in winning me over) the songs are modern and engaging, well produced and catchy as hell.

ANXIETY (2012)

Anxiety”, the second album from Ladyhawke arrived in 2012, three years after her debut, which is quite a long time between albums to be honest. Was it worth the wait? Kind of.

Yet again featuring artwork from Sarah Larnach, this time with inspiration taken from The Beatles’ “Revolver”, the album still held some of the “nostalgia” groove that her first album has showcased, but I found it’s vibe a bit forced and not quite as naturally exuberant as her first album. It’s not a bad album by any means, but it’s not one I will reach for regularly. It showcases a number of great songs, but when an album of ten tracks features three that I would rather skip, and two that are kind of take-it-or-leave-it, it’s not a good sign is it?

One song in particular, “Cellophane“, features a little repeated whistle sound whose timber and melody are SO reminiscent of Paul McCartney‘s “Band on the Run” that it really distracts from the listening experience. I keep finding myself singing “stuck inside these four waaaallls…” each time that little whistle comes in. It’s not a bad song, actually, but that choice of instrumentation spoils the experience.

Despite this misstep, tracks like “Girl Like Me”, “Sunday Drive”, “Black White & Blue”, “Blue Eyes” and “Gone Gone Gone” are fantastic! Of course, three of these were wisely released as singles. Album opener “Girl Like Me” is also a great uptempo track to start out the album, and the other non-single that I mentioned, “Gone Gone Gone”, has a really nice The Doors VS Billy Idol kind of thing going on, which is an awesome way to close the album. My only disappointment with this album is that is feels like “too much filler” and not enough thriller.

If I had to hazard a guess I would surmise that this album likely got struck by the “second album curse” that affects so many artists, hence the title (“Anxiety”). I get the feeling that Ladyhawke was trying to do something new, and was focusing on finding inspiration from a love of 70s retro rather than the groove of the 80s that she was more comfortable with. The shift in decades just doesn’t work as well as it could have. Perhaps the concept was a bit forced and the songs suffer from being squeezed into that mold. I’m not sure what was going on, but it didn’t entirely work.

Don’t misunderstand this to mean there is nothing of value on this album, far from it! There was no lack of creativity in the making of this album. Its high points are, beyond a doubt, career highs! In fact, the music video for “Black White & Blue” (a song that I really love) blew me away with its spot-on homage to Faye Dunnaway‘s character, Laura Mars, in the 1978 thriller “Eyes of Laura Mars”, especially the negative/whites of her eyes effect that was used in the original film’s promotional material. If you’ve seen the film, you have to see the music video to believe it! Ladyhawk really captured the feel of the film (I know because I went out and watched the movie as soon as I saw the music video for the first time, haha!).

Despite its shortcomings, “Anxiety” is a nice enough way to spend an hour with Ladyhawke, and worth it for the singles if nothing else. It’s not a great place to start exploring her catalogue, though. I simply feel like it suffers from a lack of that laser focus that was so omnipresent on her previous effort, which helped her to create such a tight album.


The story goes that, back in 2013, Ladyhawke had begun work on a proposed third album but that an entire album’s worth of material was scrapped and she returned to a blank slate to start again from scratch. The result was “Wild Things”, and what a return to form it was!

After the relative disappointment of “Anxiety”, I wasn’t sure what to expect when “Wild Things” dropped in 2016, so I was really, really, pleasantly surprised to find this album bursting with the joy and confidence that were missing on the previous outing. Each one of the eleven tracks on “Wild Things” stands on its own and there are no fillers.

Right from the get-go, the imagery of the album cover and design tells us that this is a “back to basics” album. Very simple and clean: a picture of Pip wearing a yellow T-Shirt that says “Wild Things”, set against a sky blue background.

As expected, “A Love Song” and “Wild Things”, the two singles released from this album, are great examples of Ladyhawke‘s sound, but album tracks such as “The River”, “Let It Roll”, “Chills” “Hillside Avenue” and “Dangerous” are fantastic musical excursions!

The choppy guitar, driving bass, and soaring keyboards I fell in love with on her first album were back, though a little less obliviously nostalgic and more authentically Ladyhawke’s own sound. It sounds like a woman enjoying herself but focused and driven in what she wants to achieve. If you are tentatively dipping your toe into Ladyhawk‘s discography, this album is also a great place to start! Start to finish it rocks.

She still channels her electro-pop heroes (like A Flock of Seaguls, Giorgio Moroder, Erasure, and Kim Wilde) but unlike with her previous effort, the rousing stadium-ready choruses are back and there seems to be an exuberance to her music again. The first album may have some of her better known tracks, but for a strong album-listening experience, start to finish, this album can’t be beat.

??? (2021)

Towards then end of 2020, Ladyhawke announced that she was working on a new album. The first fruits of this labour dropped on March 5th in the form of her collaboration with BROODS vocalist Georgia Nott, a fantastic new track called “Guilty Love”.

I can’t wait to see what else Ladyhawke has up her sleeve!

Did you agree with this review? What do you think? Is Ladyhawke your cup of tea? Are you excited for a new album, too? Drop us a line or use the handy comment form below! In the meantime, check out the fantastic videos for “My Delirium” and “Black White & Blue” … then sit back and enjoy the killer playlist we’ve curated for you!

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